The penultimate book in the series tones it down a bit, cutting back on the swinging from the roof fittings and other Errol Flynn style shenanigans. Instead Enola relies on her usual considerable talent for disguise, sketch making, cryptology and of course her endless supply of pluck.
In her hunt to recover her kidnapped landlady she is forced to consult Florence Nightingale, which, teachers take note, means the Crimean War is a part of the story. This series is fun for kids and if the spark of interest in history is fanned then so much the better. Barring casting Florence as a spy the author respects the historical accuracy of the historical figure.
One of the better additions to the series.
This collection contains four short stories that drop in on Walt during or leading up to the Christmas holidays. Don't expect cosy scenes of fireside cheer though. The first story kicks off with Walt being mistaken for both a tramp and Jesus. It's set not long after his wife's death and he's caught up in grief and depression. He's at work in his dressing gown, smells something bad and there are foreign objects in his beard. But he still has his dry wit and the hint that things can get better. The other stories are further along in Walt's timeline. The stories here use that peculiar quality of Christmas that focuses and gathers memories of family in our minds. For some of a certain age it can be a difficult time of the year. What we have lost comes to the fore of our minds. But these short Longmire stories aren't ultimately sad. There is hope, dignity, warmth and humour to soften the poignancy.
Sadly this ghostly anthology opens with R.H.Benson's The Traveller, standing like Charon demanding payment before the journey begins, as it does in so many such collections. Benson's prophetic works such as 'Lord of the World' may have secured his place in literary regard, but his ghost story only succeeds in being a right bore. "The Water Ghost of Harrowby Hall" by John Kendrick Bangs is not in the least bit scary. As amusing as your mood allows (in my case - not very). If overly prim and chatty is your kind of ghost then you might crack a smile but Bangs is no Oscar Wilde. Poe's "The Oval Portrait" is a short but powerful piece exploring what the love of art over life might cost. The spark that was fanned into Oscar Wilde's The Picture of Dorian Gray can be found here. There is little sign of a ghost though. Mark Twain delivers the required spook though in his simply titled "A Ghost Story" along with a few chills and chuckles. "The Wolf" by Guy de Maupassant is not a ghost story, neither is it a werewolf story. It's a spare little tale about obsession end insanity. It's included here for one reason: It gets another short story master's name onto the book cover. Washington Irving's "German Student" at least manages to squeeze a ghostly encounter into the brief eight pages but has more to say about the morals of men than supernatural chills. "The Monkey's Paw" by W. W. Jacobs is a true horror classic, much adapted, imitated or referenced. Be careful what you wish for the saying goes. I wish for a ghost story with genuine chills and of a length enough to engage me. So far this is the first to hit the marks in this collection. Next up is William Hope Hodgson's 48 page "From the Tideless Sea". Nearly two hours of the narrator's bass rumble with giant sea creatures prowling the vast Sargasso and no damn ghosts. By about the hour mark I'm firmly rooting for the giant Octopuses. 'For pete/s sake eat him already.' Beyond their place in superstition and mythology the cats from Edgar Allan Poe's "The Back Cat" have no certain supernatural role to play. A masterful horror story nonetheless with insanity and alcoholism being the true haunters of the mind. Perfectly constructed and paced it's a dark tale of terror that is hard to beat. If linguistics were an Olympic sport then I'm sure "Madam Crowl's Ghost" by J.S. Le Fanu would be a good test. It's an atmospheric tale but read out loud it's a challenge. Le Fanu is merciless with his transcription of regional dialect. One perhaps better read than listened to. "The Canterville Ghost" by Oscar Wilde doesn't really need another recommendation from me. Love it. With the inclusion of "Doctor Heidegger's Experiment" by Nathaniel Hawthorne I do begin to despair. It's most definitely not a ghost story. It's not even a horror story. The only possible reason for its inclusion is to place another literary name on the cover. "The Old Nurse's Story" by Elizabeth Gaskell is a superbly written ghostly story which is a step above. Much imitated. Two stories from Dickens begin with "The Black Veil," Though it is a fine piece of writing it has no ghost and isn't even a horror story though it has a dark moodiness and its theme has a macabre impact. "The Signalman," is as good a ghost story as you will hear.. The last story is Arthur Conan Doyle's "Selecting a Ghost" which is very funny and the narrator does a good job of delivering the text in a suitably humorous manner. This proved to be as poorly assembled an anthology as I've come across. Many of the stories are either too long, too short or in the case of at least six of the tales have no ghost at all. Most of the stories that do hit the mark are ones that have been over exposed in anthologies already. Maybe I'm being a bit picky but I feel a bit like Mr Doyle's man at the conclusion of "Selecting a ghost."